This article was first published by The Edge on 15th July 2017
Can it really be only four and a half years since Imagine Dragons’ debut album Night Visions took our world by storm? The band that future historians will cite as the biggest influence on the soundtracking and promotion of films and TV in the 2010s (perhaps next to only Lana Del Rey) will neither go away nor succeed in proving that they matter. Be honest with yourself – did you know there was a third Imagine Dragons album released in June? Did you know that in the last year they had released songs other than disposable made-for-movie-soundtrack singles like ‘Sucker For Pain’ and ‘Levitate’? Did you know they are the 10th most popular act worldwide on Spotify, with nearly double the monthly listens of cited “Similar Artist” OneRepublic? Continue reading
This article was first published by The National Student on 7th July 2017
A few weeks after their show at Radio 1’s Big Weekend, The Big Moon are taking a break. Glastonbury is ahead (though now behind), and in the middle of the summer is a U.S. tour with Marika Hackman. So how do the four girls take a break?
“I like to do normal stuff, since being in a band isn’t really normal, it’s a bubble life. When I’m back I just like do DIY, lots of projects, being outside, gardening, building shit. So, to just do normal stuff, because I feel like I’m cheating life sometimes. If I build a shed I feel better about it.” Continue reading
This article was first published by The National Student on 15th June 2017
For an album that has, according to its artist, been developed across her whole life, Off The Radar also has a somewhat uncomfortable presience.
This article was first published by The National Student on 5th June 2017
There must be a German word which expresses the feeling of listening to Connect The Dots, the sophomore album from New York-based, indie quintet MisterWives.
Unfortunately the rough translation would need to be something like “the sick feeling of disappointment when you realise you’ve either grown out of sparkly, colourful instrumentation and imagery laden lyrics, or this band was always an Imagine Dragons-esque embarrassment waiting to happen”. Place your bets on the latter.
This article was first published by The Edge on 22nd June 2017
With Mad Cool Festival less than a month away (Huh?! – What? Where? When?), and over 60 acts set to play the Spanish festival, we took a look at the line-up beyond the Dad Rock headliners. Here are our 13 must-see acts at Mad Cool Festival. Continue reading
This article was first published by The Edge on 25th May 2017
Simplicity is the modern-day hallmark of a good summer song – just look at ‘Closer‘ by The Chainsmokers, ‘This Girl’ by Kungs, and, going back a little further, Felix Jaehn‘s remix of ‘Cheerleader’ by OMI. Swedish pop star Tove Styrke(because all the hot young female stars are Scandinavian these days) has certainly got one eye on sun-soaked structural simplicity with the addictive melody of ‘Say My Name,’ but it’s the combination of sparse arrangement and eye-catching sounds that make this so smoothly explosive.
This article was first published by The Edge on 23rd May 2017
It would be the act of an ignoramus to say that a singer fresh from boyband megastardom would be looking to break a few rules and taboos in beginning a solo career – didn’t we discuss this last year, with ZAYN’s almost embarrassingly smouldering Mind Of Mine? One can assume that former bandmate Harry Styles, as a real human being and not a simple marketing device, wants to do the same. And that’s exactly what he’s done, but his aim’s somewhere far left of the R&B favoured by Malik. Continue reading
This article was first published to The Edge on 23rd February 2017
Jesus, are we still doing it with The Chainsmokers? I hate to bring white supremacy into the discussion less than two sentences in, but just because someone has a smash summer hit doesn’t give them the right to suddenly be appearing on awards shows, performing with once reputable acts – they ruined Halsey less than a year after her debut album blew up, and now they’ve come for Coldplay, the dukes of safe, warm pop. I don’t remember this happening for that OMI fellow when the dull ‘Cheerleader’ remix came out fifty years ago. Why, back in my day… nope, white folks have always got tons of airtime for the stunningly mediocre.