Film Review: Valerian And The City Of A Thousand Planets

This article was first published to The Edge on 7th August 2017

The first thing that you should know about Luc Besson’s return to the space opera genre, two decades after The Fifth Element split critics and gained cult status, is that he hasn’t set out to do anything differently in Valerian And The City Of A Thousand Planets. This isn’t like any other major blockbuster released this year. In its structure, characters and imagination, Valerian does things differently. Its closest counterpart this year is, coincidentally, another Dane DeHaan starrer, Gore Verbinski’s A Cure For Wellness. They’re both apparently carte blanche films for eccentric directing talents, which end up as lopsided, thoroughly weird beasts. Continue reading

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