Review: The Autopsy Of Jane Doe

This article was first published to The Edge on 31st January 2017

I’m by no means the person to ask about the history of horror in film, but you don’t have to be an expert to notice the subtext trend in the genre’s most recent successes. The Babadook is about depression and grief. The Witch is about fear of femininity and powers that a masculine worldview doesn’t understand. The Invitation, also about depression and grief. Last summer’s surprise hit Lights Out is concerned with the same, and the pain that families both hide and pass onto each generation. The Autopsy Of Jane Doe touches on all of these and more. It’s far from the best of the bunch, but it’s a punchy addition to the canon, bridging the gap between eerie chamber pieces like The Invitation, the atmospheric restraint of The Witch, and inevitably the more schlocky, booming crowd-pleaser tradition of Lights Out. It makes for a compelling, somewhat jarring stylistic and thematic cocktail. Continue reading

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