This article was originally published to The National Student on 27th July 2016
You’d be hard pressed to think of a film from the last year that opens with a scene more on-the-nose as Nerve.
Emma Roberts’ Vee is procrastinating on her Macbook, Facebook stalking her high school’s football star, and listening to “sick choons” on Spotify. We see close ups of her cursor as it hovers over various icons; it waits temptingly over the “Like” button for her crush’s photo; we see her biting her lip, her facial movements tentative in extreme close-up; Vee gets a Facetime call from her best friend Sydney (Emily Meade). Continue reading
This article was originally published to The Edge on 26th July 2016
If you wanted to make a music video that did everything that you might expect of it, ‘Low Lands’ by Gojira, would be a very good place to start gathering inspiration. It’s a narrative-less, confusing array of horror-genre establishing images, intercut with images of a (pretty darn rad) metal band rocking around an enormous bonfire sans instruments to their own song. Continue reading
This article was originally published to The National Student on 24th July 2016
Every July, film studios flock to San Diego Comic-Con, the biggest event of its kind in the world, to show off their latest productions to the nerdiest people in the world.
In recent years, to side step the piracy problem, those same studios have been releasing the footage they show there to the general public, within a few hours.
We’ve collected the best (or otherwise) footage revealed in the famed Hall H from the last few days, of the films you should know about over the next year.
Spoiler – there’s a lot of superheroes… Continue reading
It’s difficult to imagine the recent abundance of spacefaring films existing without the success of J.J. Abrams’ 2009 Star Trek reboot. Since then, Guardians Of The Galaxy, The Martian, and more, have boldly gone where Gene Roddenberry went first. The latter film especially, displayed the same ambitious vision of humanity as the original series: an unfailingly diverse set of people, using their problem solving abilities to save people, inspiring the planet at the same time. As much fun as Abrams’ first film in the franchise was, it’s always been more Star Wars than Star Trek; Into Darkness may as well have been any post-9/11 fear-infused action film, despite its ill-founded homaging of Wrath Of Khan. After that slight misfire, Paramount chose Justin Lin to replace Abrams. As a director known best for his orchestration of the unabashedly silly Fast & Furious films, it would be easy to dismiss him. It would also be wrong. Star Trek Beyond brings the en-vogue Pop fun of Guardians Of The Galaxy and the same hopeful attitude that The Martian wowed audiences with. It’s undeniably a modern blockbuster, yet it’s also the most classically Star Trek thing to wear the label in decades. Continue reading